

This literary approach is crucial to highlighting the gender-based inequality imposed on the protagonist by her abusive husband throughout the novel. In order to investigate these aspects in the novel, this paper draws on the views of post-modern feminist literary theory.

The struggle of the protagonist to put an end to her abusive marriage, and how she managed to overpower her post-traumatic stress disorder experience constitute the focal point of this paper, and are explored from a feminist psychoanalytical perspective, a task that has not been addressed in the available literature on domestic violence in relation to feminist and psychoanalytic criticism up to date. The paper mainly focuses on addressing two questions ‘What are the protagonist’s violence experiences?’ and ‘What are the factors that served to reinforce and prolong the protagonist’s oppressive marriage?’. The model highlighted for the purpose of examination is Catherine, the protagonist of Elizabeth Haynes’ novel Into the Darkest Corner.

The central contribution of this paper lies in highlighting particularity rather than sameness when investigating how oppression and male domination could function as factors that trigger positive counteraction and lead to the liberation of the silenced protagonist in Elizabeth Haynes’ novel Into the Darkest Corner. This paper investigates how a survivor of a violent marital relationship could awaken and take positive counteraction against her oppressive husband, rather than remaining entrapped in a state of ‘learned helplessness’.
